FOR AFTER you share your black and white image: Coloring implements
Make a list of ten things that made you stop and think.Â
What made you feel connected to our CommUNITY?Â Â Â
Make your paper into a square.Â It does not matter if you are starting with a GIANT page or a tiny page, once itâ€™s a square we can do PIXEL Magic and shrink it to link up with everyone elseâ€™s tiles.
Mark the midpoints on the sides of the square by matching corners and pinching JUST the edge of the paper.Â (You can fold across, but then you will have the creases visible. If you are a very young person, it might be easier to pinch, anyway.)
Mark with a pencil where those creases are.Â These are how your machine will match up with other FOOLmoon CommUNITY membersâ€™ machines.Â Â
Look back at your list, and choose TWO things that you think would be FOOLishly fun together and draw them into your square so that pieces of them touch those midpoints.Â Â
How do they relate? What can you imagine and invent?
You can use pencil and then outline with marker later.Â
You can use mechanical elements like gears or levers or buttons
In a couple of weeks, we will provide instructions to repurpose a cereal box to turn these black and white drawings into a color-it yourself tile puzzle, and are hoping for some other fun re-mix ideas!
Color your machine if you want.Â Make another! Thereâ€™s no limit!Â Â
Check out our machines as we build on instagram, or check back for curated tiles on Facebook!
For FossilFOOLs, I created a work of arts-based research about how city-dwellers access nature combining digital animation and found sounds to highlight the ways that nature is affected by and yet still permeates urban areas. Inspired by Finnish composer Einojuhani Rautavaara, I combined a recording of the sounds in my backyardâ€“ both human and naturalâ€“ with instrumental and vocal tracks to create a re-mix of narrative sounds. Rautavaara is known for his symphony to biodiversity, Cantus Arctics, in which he composed a rich multi-layered work that is built around recordings he made of birds in arctic region of Finland.
Originally, the work was to be presented with an active call for participation, people would have created shadow puppets to interact with the installation of the video on a multi-layered tent full of transparencies.
The original inspiration, collecting the ways that nature permeates the lives of my fellow city-dwellers still holds, and I have translated it to a virtual call for participation:
You can MAKE YOUR OWN shadow-puppet machine and share your story!
First, do some research
When you go out today for an appropriately spaced walk, bring a piece of paper or a notebook with you.
Look at the plants and animals that are around you, and spend some time looking at a few that you feel drawn to.
STOP, LISTEN for 3 whole minutes: Write what you hear using onomatopoeia: some letters that you think will make the best impression of what you hear where you are.
It doesn’t have to be sounds from the thing that you are interested in. Just any sounds you hear, practice saying them outlaid.
For example the plane going over my building right now says “GURURURURURURUOOOOOOOSHSHSHSh!” and the birds say “CRRRRpppptCCrrpt-shwooooot.”
THEN: Draw all the shapes you think the plant or animal you are interested in has in it. Don’t try to draw the thing, just draw the shapes.
FINALLY: try to draw the thing, using the shapes you just drew. Since we are making shadow puppets later, don’t worry about the details, just get the outside shape of the thing.
When you get home, think of a story about the things you drew.
What are the relationships between those things?
How does the sound relate?
Then go home and make your spinner:
Re-used plastic bottl- cap
Drill or something sharp to poke with
Paper Plate, or re-used cardboard
Re-used plastic Forks, or popsicle sticks
Paperclips for attachments and hooks
Yarn if you want your puppets to dangle more
Re-used cardboard for puppet
Tape, Glue, other sticky stuff
Drawing stuff like markers
Make the spinner
1. Poke a hole in the bottle cap, using a drill. If you don’t have a drill, you can probably use a nail and a hammer, or some other sharp thing combined with a heavy thing. For this part, you need to have a friend or a grown-up around just to be safe.
2. Stick the chopstick into the hole in the bottle cap. Put a dot of glue or tape under the bottle cap inside the lid so that it stays where it is.
If you use a hot glue gun, remember that the silver part and the glue are hot, so you should not touch those.
4. Take out the plate and mark the center by folding in half and pinching the middle to make an X.
5. Poke a hole through the X using a pencil or scissors, spin them around to make the hole nice and big so it spins easily. This might also need a grown up or friend to be safe.
6. Glue or tape your spokes, which are the popsicle sticks or forks to the edge of your plate so they stick out like a sun. You can use cardboard scraps if you don’t have popsicle sticks or forks to recycle.
7. If you are using cardboard or popsicle sticks, you can tape or glue a paper clip to the end of your spokes so that you have something to hook your puppets onto.
Make the puppets
Take out your research drawings.
Look at the shapes and the way you put them together to draw your image. You will use this to decide how to cut the cardboard for your puppet
Draw the shapes you want to use for your animal or plant onto the cardboard. I like to use old TV dinner packages for this. It’s relatively soft, and not so hard to cut with scissors.
Cut them out.
If you want multiples, you can fold the cardboard, like making gingerbread people, or snowflakes to get multiples of the same shape.
You can cut them with scissors or a knife. If you use a knife, please make sure you have a friend or a grown-up to help with this, just to be safe.
Tape or glue them together.
Tape or glue them to a paperclip. You may have to bend the paperclip to make a hook for your spokes.
Hang your puppets onto the spinner.
To assemble your story, think about the order you put them in
If you have birds, for example, different wing positions could indicate progress.
If you have flowers and Bees, you could put two flowers and one bee, or lots of flowers, some empty spokes, and then a bee.
Participate in FOOL Moon Re-imagined
To participate, post photos, videos, stories and more to the FOOL Moon Re-imagined Facebook page.
You can go with your grown-up or friends to find things that make noise in your kitchen, pots, pans, jars of rice, and create a sound response to what you heard. A wok makes a nice resounding noise, some sticks from outside might make nice snaps or scrunches.
Combine those with the onomatopoeia you created in your notes, to create a few seconds of sound to make while you take a short movie of your shadow puppet story.
Film your puppets, with the flashlight and your spinner on the wall, like in the photo. Use the hashtag #foolishsongs20 when you upload, or just put it onto the FOOLMoon Reimagined Facebook group.
Make noises like the ones you wrote down! Tell your story in a short video or write it down with some pictures of the shadows you make!
Here’s some ideas for how to start:
I picked ________ because…
________ are important because…
_______ and _______ do ________ together because…
I plan to make a compilation video of all the submissions that everyone creates, so if you want to be included, drop me a line in the comments here, or send me an email to the letter “A” at Allida dot com. If you do not give me express permission, your documentary words, photos, and videos will not be included in our final collective story.
About this project:
Climate change is an issue that directly impacts equity, and environmental justice world wide. Wealthy nations and communities have the resources to anticipate and act on behalf not only of themselves, but of the rest of the planet, but too often they ignore the urgency of the issue because it is inconvenient to the bottom line. In this moment, with a pandemic influencing the globe, it is clearer than ever that our mutual fates are intertwined, and that collective action is necessary, not just to prevent harm to the vulnerable, but to create beauty and connection for all.
“When I started out in the office here, I remembered the love I felt when my grandparents would read to me, and I thought, I want every Finnish child to feel that love and support while they learn.”
Irmeli Halinen, retired Head of Curriculum and Development, Finland
Yes an artist, my Finnish cultural heritage influences my understanding of getting by by making do. My mother and grandmother taught me how to re-use everything from cutting down clothes and creating rag-rugs, to darning socks and coming up with inventive ways to use old plastic bags. I have always worked with re-purposed and re-cycled materials both because of these habits, and because the impact of seeing everyday objects in new forms raises awareness of our cultural associations. Iâ€™ve re-purposed construction materials to create wearables and decorative home objects.
It almost made me cry, because my grandparentsâ€“ both the Finnish ones and the othersâ€“ used to read to me and were all strong advocates for empathetic supportive education as central to civic agency. Their model has inspired me as an educator and an artist to cut through my own identity and privilege to find common ground with people across cultural, class, race, and disability. It makes me passionate about elevating the voices and ideas of the communities I have served as an artist and and educator.
In my work, I endeavor to love every student, and hear what they have to say because we are all one, and the multiple points of crisis our world is facing right now makes that clearer than ever.
This is a lesson which I prepared to teach EFL students in Spain. Â In it they practice numbers, learn to indicate up and down, practice the weather, and learn how to ask some questions. Â This project was done with children between six and nine years of age.
[Coming Soon, more videos as well as clear step-by-step explanations.]