{"id":2514,"date":"2020-03-28T12:50:00","date_gmt":"2020-03-28T16:50:00","guid":{"rendered":"http:\/\/allida.com\/wp\/?p=2514"},"modified":"2023-03-30T07:51:56","modified_gmt":"2023-03-30T11:51:56","slug":"how-to-make-shadow-puppet-machine","status":"publish","type":"post","link":"https:\/\/allida.com\/wp\/?p=2514","title":{"rendered":"How to Make: Shadow Puppet Machine for FOOLmoon Reimagined"},"content":{"rendered":"\n

For FossilFOOLs<\/a>, I created a work of arts-based research about how city-dwellers access nature combining digital animation and found sounds to highlight the ways that nature is affected by and yet still permeates urban areas. Inspired by Finnish composer Einojuhani Rautavaara, I combined a recording of the sounds in my backyard\u00e2\u20ac\u201c both human and natural\u00e2\u20ac\u201c with instrumental and vocal tracks to create a re-mix of narrative sounds.   Rautavaara is known for his symphony to biodiversity, Cantus Arctics, in which he composed a rich multi-layered work that is built around recordings he made of birds in arctic region of Finland. <\/p>\n\n\n\n

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Still from Song to Urban Ecology, 2020<\/figcaption><\/figure>\n\n\n\n

Originally, the work was to be presented with an active call for participation, people would have created shadow puppets to interact with the installation of the video on a multi-layered tent full of transparencies. <\/p>\n\n\n\n

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