Detroit Art City!

Nick Cave Costume Heard Herd
Nick Cave Costume Heard Herd
Nick Cave Costume, with happy young dancer!

Saturday was an outdoor performance extravaganza of Nick Cave’s costumes from his residency at Cranbrook.

Starting first with the lovely afternoon, and the sense of community that manifested in crowds of people on the hill ready to watch the dancers in anthropomorphic costumes dance and move to the beat of a small marching band.

I went with a friend who lives in Detroit, and the first thing that happened was that we decided to park far away and walk rather than pay $10 to go in the structure. It is in a very pretty part of the city, so we got to walk through a beautiful (if poorly maintained) park, and then down the hill to the park, which has another hill in it.

Grazing horses in front of the Renaissance Center
As they played L’après Midi d’un Faun, Horses grazed

Then, once we found a spot, we ran into the first person that we know, who had brought her mother, in from out of town. They shared our sheet and watched the show, chatting about the world, the community etc.

But the young woman wanted ice cream, so I went down the hill to get ice cream with her. And who should follow us back up the hill, but 2 of my students from FLY! I vaguely knew that one of them might be there since I had been talking to her mother earlier in the day. Even so, it was very random to be chased up the hill by 2 kids under 12.

Then the show, and afterwards, another FLY teacher was there with her kids, who were in our camps this summer too.

It is amazing how small the big scary world is, when it comes down to it!

Then someone said there were installations in the Dequindre Cut, so we walked down there and saw several installations: swings on an overpass, crazy steel-wire lightning erupting out of a hill, some weird constructions made out of gator board, and lots of beautiful murals/graffiti.

Having walked down the Dequindre Cut required a decision: to walk back to where we parked a few blocks from Milliken State Park, or to walk towards downtown and back up the river. I always love a good walk.

So off we went, down Gratiot, past a church with an Oktoberfest and a live pretty good live (high school) jazz band. Past the Fail Jail. Past several pieces of public art including some I’d never noticed before. Then into Campus Martius, and walking down Woodward to Hart Plaza we found some of those wacky merry-go-round chairs and some neat gazing balls.

The Ren Cen ever present with us on our journey, and Canada within sight for the last angle of the triangle.

In the photo of me, although the new landscaping in the park is more interesting than the statue, it is of one of the Stroh’s who loved bird-watching. We did see and hear some birds (and freighters and steamboats, oh my!).

Detroit Art City!!!

Cathedrals and Time

Buttresses of the Cathedral of M-14. Nice long walk in Bandemer towards Argo

A photo posted by Allida (@hemoracallis) on

Over the years I have always loved bridges. They have great acoustics. They are beautiful in their way, even the ones that are very boring infrastructure have their moments of numinous beauty. Over the last few years, I’ve been taking pictures of the bridges that cross over the parks in Ann Arbor. Watching for that difference of the light, much as Monet painted quotidian haystacks over and over. In a way, it is even more impressionist than the Impressionists, this photographic documentation. But it misses something of the feeling that I get from the bridges. From the human-made space as it interacts with the natural world. The most beautiful of the bridges have not only the organ music of the freeway traffic, but the rose windows of the sunlight reflected up onto their latticework from the reflected light on the water.

Cathedral of M-14 A video posted by Allida (@hemoracallis) on

But even that sound misses the numinous nature of my meditation under bridges. There is a moment when the bridge turns from being dark to being light that makes it mysterious and beautiful. The transformation from shaded cavern to glowing life and light is a numinous experience, and so I’ve started to take time-lapse videos to document this metamorphosis.

 

Time lapse with less frames. Watch the bridge light up

 

A video posted by Allida (@hemoracallis) on

We Build grand structures these days, but they are not always built for their beauty as the cathedrals and basilicas of old. They are build for practical purposes, their architects and builders are nearly invisible to us, but this does not mean that they cannot be beautiful.

Mosaic Madness

The July First Fridays Ypsi event at FLY, where I work, was quite fun! Our project this month was a pop-cap mosaic mural that we will display at the Creativity Lab (40 N. Huron, Ypsilanti, 48197), and take with us to some special events. A good time was had by all our visiting artists, young, younger, and grown-up.


We had some families come in, and as the evening waned, a stream of couples and singles who stopped to chat. It is great to get to know people in our community. They let us know what’s going on, and we can share with them so we all become involved with one another. Go Ypsi!

Just about all the materials were from generous donors. Since bottle-caps are usually not recyclable, people saved them up and gave them to us. The canvases they’re on were also a generous gift from someone.

We are most impressed with the detail orientation and hard work by our supporters, particularly the young people who did the bulk of the work. Thanks to everyone who stopped by, and be sure not to miss the August 1st First Friday, which will include the Washington Street Ypsi Art Fair.

Creative Universe Summer Series

Today was the first day of our Saturday morning series. Christine did Triangles with Art Play (a class designed for pre-school) from 9:00am to 10:00, and then I came in to do M. C. Escher, patterns and tesselations.

We re-named Mad Science to Creative Universe since we look at the universality of Art to help us understand a variety of things. This time the theme for the series is Pattern, and in the fall we plan on doing Animals.

Anyway, today we did some sketches on paper with letters to talk about how things are reflected (like a mirror), rotated (or turned around), or translated (moved down a line) to create patterns. Then I explained how we could use what we talked about to create a pattern on graph paper. After it was clear everyone understood the general idea, we moved on to cutting out stamps from Scrap Box rubber pads.


We took our stamps and made patterns with them by translation, and rotation. To do reflection you need to cut a separate stamp that faces the opposite way. A p will rotate to become a d, but no matter how you turn it, it doesn’t become a b or a q which would be the reflection.

After some focused stamping and repeating, I opened it up and had them do some really fast stamping with geometric right before clean-up. One student took her line and rotated the stamp while applying pressure, creating a pattern of scumbled monotypes that look like LP records. Scumbling is dragging paint across a surface, usually with a large palette knife or ruler, and a monotype is a kind of print made from a block that is re-inked in an irregular way.

Mad Science: Calder; Mobiles and Paper

What do you think of kinetic art?  Does it sound complicated and hard?  It’s not, it is just a fancy way of saying “Art that moves.”  2014-06-07 17.44.38

This last week at Mad Science Saturday we explored motion and balance looking at the kinetic art of Alexander Calder.
To make this project, our young renaissance artists danced to some music and drew pictures of each other.They were not allowed to look at their pictures while they drew.

We cut and scored their paper sketches along curves. The resulting forms do unexpected things. They curve around themselves and stick out at weird angles. They really look like dancers in motion!

dancer mobile

Once we had our forms, we began the mobile portion of the exercise. Dancing again, this time in slow motion, I showed them how the center of their body always remained in a vertical line from their neck down. They applied this sensation to their mobiles, and the mobiles turned out balanced.

A few weeks ago, FLY teachers were honored to be invited to a seminar with Matt Shlian, a local artist and one of a very few Paper Engineers in the country. He told us about various aspects of his work, including the curved score method of paper-folding.

We were excited that we’d have an opportunity to share this technique with the kids so soon. This project was already scheduled, but hearing how grown-up scientists and engineers apply techniques that our young artists can learn is really inspiring.

2014-06-07 18.00.05 HDR